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Nacho Libre is a 2006 sportscomedy-drama film directed by Jared Hess and written by Jared and Jerusha Hess and Mike White. It stars Jack Black as Ignacio, a Catholic monk and lucha libre fan who secretly moonlights as a luchador to earn money for the orphanage where he works by day as a cook, knowing his fellow monks would look down upon his career and expel him if they discover it. He finds his ascetic, celibate lifestyle challenged even further when he falls in love with a nun who has just arrived to live in the monastery. The film is loosely based on the story of Fray Tormenta ('Friar Storm', a.k.a. Rev. Sergio Gutiérrez Benítez), a real-life Mexican Catholicpriest who had a 23-year career as a masked luchador and competed in order to support the orphanage he directed. The film was produced by Black, White, David Klawans and Julia Pistor.

The film was released on June 16, 2006 by Paramount Pictures. It received mixed reviews from critics and grossed $99.3 million at the worldwide box office against its $35 million production budget. Despite that, it has now earned a cult following.

Plot[edit]

Ignacio's parents were a Scandinavian Lutheran missionary and a Mexican deacon, who both died when Ignacio was a baby. Now a cook for the Oaxaca monastery orphanage where he was raised, Ignacio dreams of becoming a luchador, but wrestling is strictly forbidden by the monastery as it is a sin of vanity. Ignacio cares deeply for the orphans and loves them with all his heart, but his food is terrible because he cannot afford quality ingredients. He also struggles over his feelings for Sister Encarnación, a nun who teaches at the orphanage. One night, while collecting a bag of donated tortilla chips for the orphans, Ignacio is mugged of the chips by a street thief named Steven. After a fight between the two, Ignacio decides to disregard the monastery's rules and become a luchador in order to make money. He convinces Steven to join him with the promise of remuneration if they win, and the two join a local competition as tag partners.

Ignacio changes his name to 'Nacho' to keep his identity secret, while Steven adopts the name 'Esqueleto' (Skeleton). They are defeated in their first match, but are nevertheless paid, as every wrestler is entitled to a portion of the total revenue. They continue to wrestle every week, with Ignacio using his pay to buy and prepare better food for the orphans. Ignacio gets used to losing some fights, but after a while, he gradually grows annoyed with the consistent losses. Steven brings him to a water gypsy who tells Ignacio to climb to an eagle's nest, crack open the egg and swallow the yolk, claiming that he will gain the powers of an eagle. Ignacio completes the task, but still loses the next several bouts, frustrating him. He seeks advice from champion luchador Ramses, but Ramses is vain and in no mood to help aspiring wrestlers.

Ignacio's secret is finally exposed to the entire monastery when his robe catches fire during church, exposing his wrestling costume. He admits that he is Nacho and tells them that he intends to fight at a battle royale between eight luchadores for the right to take on Ramses, and for a cash prize, which he will use to buy a bus for the orphans. But the wrestler Silencio whose signature move is throwing people wins the match after piledriving Ignacio; Nacho comes in second place. Banished from the monastery, Ignacio leaves to live in the nearby wilderness.

The next morning, Steven comes to tell him that Silencio has been injured (by Steven) and cannot fight, meaning that Nacho—as the second-place finisher—receives the right to fight Ramses. Ignacio and Steven agree to team up again. That night, Ignacio sends a message via Steven to Encarnación, explaining his plan and confessing his love to her.

Despite initial difficulty, Nacho does well in the match. When the crowd begins to support Ignacio, Ramses resorts to cheating. Nacho is nearly defeated—indeed, unmasked—by Ramses, when Encarnación enters the arena with the orphans. Elated and inspired, Nacho rallies himself and defeats Ramses with an aerial diving technique.

Ignacio becomes a professional wrestler and, true to his word, buys a bus for the orphans with his prize money. The film closes with Ignacio, Steven and Sister Encarnación taking the children on a field trip to the city of Monte Albán.

Cast[edit]

• Jack Black as Ignacio/Nacho, an Oaxaca monastery cook who was raised there when his parents have died and dreams of becoming a luchador
  • Troy Gentile as Young Ignacio
• Ana de la Reguera as Sister Encarnació, a nun at Oaxaca monastery
• Héctor Jiménez as Steven/Esqueleto, Ignacio's tag partner
• Silver King as Ramses, the luchador champion and Ignacio's idol
• Carla Jimenez as Cándida
• Richard Montoya as Guillermo
• Enrique Munoz as Señor Ramon, Ramses' manager
• Moisés Arias as Juan Pablo
• Donald Chambers as Silencio, one of the wrestlers who defeats Nacho but is disqualified when Esqueleto runs over him, injuring his foot
• Darius Rose as Chancho
• Peter Stormare as Emperor
• Diego Eduardo Gomez as Chuy
• Human Tornado as El Snowflake, one of the luchadors who faces Nacho
• Mascarita Dorada as one of Los Duendes

Music[edit]

Director Jared Hess originally wanted musical artist Beck to be behind the soundtrack for the film. Beck, being a fan of Hess, accepted. However, Paramount Pictures did not think Beck's style fit the movie, so composer Danny Elfman was brought in to replace him. Elfman then wrote a full score and recorded it in May 2006.^[4] However, only about 2/3 of Elfman's score ended up in the movie (with one of the songs, Ramses Suite, appearing in the released soundtrack). Due to how much of Elfman's music filled the film, Elfman's representatives asked that Elfman be the only person credited for the film's score. Hess caught wind of this and would not allow the studio to remove Beck from the credits. When finding that he would not have the only music credit, Elfman told Paramount to remove his name from the film. An agreement was eventually reached where both Beck and Elfman were credited for their respective parts of the score.^[5] However, Elfman appears with sole credit in the official billing block on promotional material.

Soundtrack[edit]

The track listing for the official soundtrack to Nacho Libre.^[6] The soundtrack was released October 24, 2006

1. Hombre Religioso (Religious Man) - Mister Loco
2. 'A Nice Pile-Drive to the Face' (dialogue) - Jack Black
3. Move, Move, Move - Alan Hawkshaw and Alan Parker
4. Papas - Mister Loco
5. Piel Canela (Singing at the Party) - Jack Black with Ismael Garcia Ruiz y Su Trio
6. Ramses Suite - Danny Elfman
7. 'All the Orphans in the World' (dialogue) - Jack Black and Héctor Jiménez
8. There is No Place in This World for Me - Beck
9. 'I'm Serious' (dialogue) - Jack Black
10. 10,000 Pesos - Beck
11. Irene - Caetano Veloso
12. Pump a Jam (Ramses) - Cholotronic
13. Black is Black - Eddie Santiago
14. Half Forgotten Daydreams - John Cameron
15. Encarnación - Jack Black
16. Tender Beasts of the Spangled Night - Beck
17. Saint Behind the Glass - Los Lobos
18. 'Beneath the Clothes We Find the Man...' (dialogue) - Jack Black
19. Forbidden Nectar - Jack Black and Mucho Macho Acapulco

Some songs that were not included on the soundtrack, but were in the movie, are 'Mucha Muchacha' by Esquivel, 'Bubblegum' by Mister Loco, 'Holy Man' by Beck and 'Bat Macumba' by Os Mutantes.

Release and reception[edit]

The release date was originally set for May 2006, but was changed by Paramount to avoid competition from 20th Century Fox's X-Men: The Last Stand and one of Paramount's other films, Mission: Impossible III. It was then placed between the releases of Disney/Pixar's Cars (June 9) and Warner Bros. and Legendary Pictures' Superman Returns (June 28). It was released on DVD and Blu-ray on October 24, 2006.^[7] It was distributed in Switzerland, Spain, and the Netherlands by Universal Pictures.

During its opening weekend, Nacho Libre grossed $28,309,599, opening at #2 behind Cars' second weekend. The total domestic box office stands at $80,197,993 and a worldwide total of $99,255,460.^[3]

The film received mixed reviews from critics. On Rotten Tomatoes, the film has an approving rating of 40%, with an average rating of 5.1/10.^[8] The website's critical consensus states: 'At times hilarious, but other times offensive, director Jared Hess is unable to recapture the collective charisma of his Napoleon Dynamite characters, and instead, relies on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however'.^[8]Metacritic gave film a score of 52 based on 36 reviews, indicating 'mixed or average reviews'.^[9]

According to Roger Ebert, 'it takes some doing to make a Jack Black comedy that doesn't work, but Nacho Libre does it'.^[10]Michael Medved gave the film two and a half stars (out of four) calling it 'amusing, but resistable [sic]', but adding that 'director Jared Hess [employs] the same off-beat humor that made his Napoleon Dynamite a cult hit'.^{[citation needed]}

Manohla Dargis of The New York Times gave it a positive review and called it 'Endearingly ridiculous.'^[11]

Video game[edit]

A video game adaptation of the film was published by Majesco Entertainment and was released for the Nintendo DS. It is a cartoon-style wrestling game based upon the film.^[12]

Possible sequel[edit]

In November 2006, Jack Black, when asked, expressed his interest in a sequel; 'I sure hope so, I love working with Jared. I think it's a good bet that we'll collaborate on something again. Mike had an idea that it would be Nacho goes to Japan, we'll see though.'^[13] However, Jared Hess (who directed the original movie) revealed in October 2009 that Paramount had never approached him about doing a sequel to Nacho Libre, though he said he would 'love to work with Black again'.^[14]

Notes[edit]

1. ^Beck was the initial composer, before being replaced by Elfman under orders from Paramount Pictures. Although most of the score used in the final film is from Elfman, director Jared Hess wanted Beck to receive credit for his tracks, which Elfman did not want. Ultimately, both are credited for their individual tracks in the end credits, but Elfman has sole credit in the official billing block used in promo material, despite only one of his songs appearing in the released soundtrack.

References[edit]

1. ^ ^ab'Nacho Libre (2006)'. British Film Institute. Retrieved 22 June 2017.
2. ^'NACHO LIBRE (12A)'. British Board of Film Classification. 2006-06-15. Retrieved 2012-01-18.
3. ^ ^abc'Nacho Libre (2006)'. Box Office Mojo. Internet Movie Database. Retrieved 2010-08-09.
4. ^'Danny Elfman scores Nacho Libre - ScoringSessions.com'. Scoring Sessions. 2006-05-05. Retrieved 2010-08-09.
5. ^Sampson, Mike. 'The truth behind Nacho's music - JoBlo.com'. Joblo. Archived from the original on 2011-06-06. Retrieved 2020-10-02.
6. ^'Amazon.com: Nacho Libre: Various Artists: Music'. Amazon. Retrieved 2010-08-09.
7. ^'Nacho Libre Movie - Starring Jack Black - Directed by Jared Hess - Official Site'. Archived from the original on 2010-09-02. Retrieved 2010-08-09.
8. ^ ^ab'Nacho Libre'. Rotten Tomatoes. Retrieved 2010-08-09.
9. ^'Nacho Libre Reviews'. Metacritic.
10. ^'Pepper Jack'. Roger Ebert. Retrieved 2020-08-31.
11. ^Dargis (16 June 2006). 'A Tender Heart in Stretchy Pants and Ankle Boots in 'Nacho Libre' (Published 2006)'. The New York Times.
12. ^'Nacho Libre for DS - GameSpot'. GameSpot. CBS. Archived from the original on 2007-10-20. Retrieved 2010-08-09.
13. ^'Jack Black Talks 'Be Kind Rewind' and a Possible 'Nacho Libre 2''. ropeofsilicon.com. 2006-11-19. Retrieved 2011-06-02.
14. ^'Jared Hess says he's never been asked about making 'Nacho Libre 2''. hitfix.com. Retrieved 2011-06-02.

External links[edit]

• Nacho Libre on IMDb
• Nacho Libre at AllMovie
• Nacho Libre at Box Office Mojo

Putlocker Movie The Last Match

The Last Match Movie Trailer Review

When we last left Yip and writer Edmond Wong’s version of Ip Man, his wife had died of cancer, leaving him to raise his son (Ye He) by himself. Man’s fortunes decrease further when he learns that he too has been diagnosed with cancer (it would kill him in 1972) which means he only has a limited time to ensure that his son’s life takes the right turning. He flies to America at the behest of his most famous student Bruce Lee (Kwok-Kwan Chan) and uses the opportunity to look for a good school for his boy. Immediately, trouble finds him. He’s called to a meeting of the heads of martial arts schools in America, thinking he’s just being shown hospitality as the world’s most renowned Wing Chun practitioner. But it turns out they’re all furious about Bruce Lee teaching kung fu to westerners. The head of the Tai Chi school, Wan Zong Hua (Yue Wu), demands Ip Man put a muzzle on Lee and he refuses, believing that everyone should be able to practice the art form if they so choose. Their disagreement almost comes to blows. Things go no more smoothly for Ip Man in the coming days. His visit to a prestigious school ends with the admissions officer saying that short of a 10,000 dollar donation or a letter of recommendation from other prosperous Chinese emigrants (like Wan Zong Hua, for instance), his son will never get into a decent American school.

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While he’s touring the grounds, he notices Wan Zong Hua’s daughter Yonah (Vanda Margraf) being bullied by a white cheerleader (Grace Englert) and comes to her rescue, which starts the Tai Chi master on the path of recognizing Ip Man as a more principled man than he initially gave him credit. They’ll need each other in the coming days because when that cheerleader tells her parents she was attacked by Chinese people, they involve INS and the military in their efforts to try and oust the Chinese from the area. As it happens there’s a Gunnery Sergeant named Barton Geddes (Scott Adkins) who’s been itching for a way to put the local Chinese in their place, and this is all the pretext the virulent racist needs to start cracking skulls.

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Yip’s “Ip Man” films are constructed like golden-age Hollywood musicals or “Step Up” movies, and as they were never going to be perfect history (four movies come and go without a single mention of Ip Man’s illegitimate child), this is a wise and welcome decision. There’s little plot, a new character is introduced, and then there’s a jaw-dropping sparring scene. The great Yuen Woo-Ping steps in to replace Sammo Hung after “Ip Man 2” and his work here is typically jaw-dropping; as beautiful as it is nerve-wracking. Yuen Woo-Ping also directed this year’s similarly rich “Master Z: Ip Man Legacy,” following Zhang Jin’s character from “Ip Man 3,” and is planning a sequel as we speak, a small comfort to fans of these film’s winning aesthetics and gorgeous choreography.